Module 10: Francis Scott Key
Topic: The Star-Spangled Banner (poem/song)
Sources: Encyclopedia
World Literature
www.famouspoems.com
Objectives: At the end of this module the students are expected to:
1. Learn unfamiliar words;
2. Appreciate our National Anthem;
3. Justify the values found in the lyrics of Philippine National Anthem.
Author’s Background
In the war of 1812, during the British bombardment of Fort McHenry, near Baltimore, Maryland, Francis Scott Key and a friend were on board a British ship to arrange for the release of a fellow American who was then being held prisoner. While the British bombarded the Fort, Francis Scott Key paced the deck of the British ship. He feared the Fort would not be able to resist the fierce attack that had gone on all day and most of the night. When about seven o’clock in the morning of the second day, as the clouds cleared and the ball of cannons ceased Key saw the American flag still waving over the Fort! The Fort had withstood the attack! In a few moments of excited relief, Key wrote this poem to express his feelings about the event. The poem was printed in Baltimore and later set to the music of a well-known tune. The poem was made a national anthem and it has remained so ever once.
KEY, Francis Scott, author, born in Frederick county, Md., 1 Aug., 1780 died in Baltimore, Md., 11 Jan., 1843, was the son of John Ross Key, a Revolutionary officer. He was educated at St. John's college, studied law in the office of his uncle, Philip Barton Key, and began to practice law in Frederick City, Md., but subsequently removed to Washington, where he was district attorney for the District of Columbia.
When the British invaded Washington in 1814, Ross and Cockburn with their staff officers made their headquarters in Upper Marlboro, Md., at the residence of a planter, Dr. William Beanes, whom they subsequently seized as a prisoner. Upon hearing of his friend's capture, Key resolved to release him, and was aided by President Madison, who ordered that a vessel that had been used as a cartel should be placed at his service, and that John S. Skinner, agent for the exchange of prisoners, should accompany him. Gen. Ross finally consented to Dr. Beanes's release, but said that the party must be detained during the attack on Baltimore.
Key and Skinner were transferred to the frigate "Surprise," commanded by the admiral's son, Sir Thomas Cockburn, and soon afterward returned under guard of British sailors to their own vessel, whence they witnessed the engagement. Owing to their position the flag at Fort McHenry was distinctly seen through the night by the glare of the battle, but before dawn the firing ceased, and the prisoners anxiously watched to see which colors floated on the ramparts. Key's feelings when he found that the stars and stripes had not been hauled down found expression in "The Star-Spangled Banner," which gained for him a lasting reputation.
On arriving in Baltimore he finished the lines which he had hastily written on the back of a letter, and gave them to Capt. Benjamin Eades, of the 27th Baltimore regiment, who had participated in the battle of North Point. Seizing a copy from the press, Eades hastened to the old tavern next to the Holliday Street Theatre, where the actors were accustomed to assemble. Mr. Key had directed Eades to print above the poem the direction that it was to be sung to the air "Anacreon in Heaven." The verses were first read aloud by the printer, and then, on being appealed to by the crowd, Ferdinand Durang mounted a chair and sang them for the first time. In a short period they were familiar throughout the United States.
The Star-Spangled Banner
O! say can you see by the dawn’s early light,
What so proudly we hailed at the twilight’s last gleaming,
Whose broad stripes and bright stars through the perilous fight,
O’er the ramparts we watched, were so gallantly streaming?
And the rockets’ red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O! say does that star-spangled banner yet wave,
O’er the land of the free and the home of the brave?
On the shore dimly seen through the mists of the deep,
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines in the stream:
’Tis the star-spangled banner, O! long may it wave
O’er the land of the free and the home of the brave.
And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion,
A home and a country, should leave us no more?
Their blood has washed out their foul footsteps’ pollution.
No refuge could save the hireling and slave
From the terror of flight, or the gloom of the grave:
And the star-spangled banner in triumph doth wave,
O’er the land of the free and the home of the brave.
O! thus be it ever, when freemen shall stand
Between their loved home and the war’s desolation.
Blest with vict’ry and peace, may the Heav’n rescued land
Praise the Power that hath made and preserved us a nation!
Then conquer we must, when our cause it is just,
And this be our motto: “In God is our trust;”
And the star-spangled banner in triumph shall wave
O’er the land of the free and the home of the brave!
Activity: Vocabulary. Give the meaning of the following words:
1. ramparts
2. havoc
3. desolation
4. hireling
Discussion
1. Give the figurative meaning of each of the following:
a. star-spangled banner
b. land of the free home of the brave
c. praise the Power
2. What feelings are expressed in the lines?
3. What is the general mood of the poem?
4. Describe the imagery portrayed.
5. What American values are reflected in the poem?
6. Compare and contrast the historical situation or event in which the Philippine National Anthem and that of the Star-Spangled were composed.
7. Do the National Anthem of America and the Philippines express common values? Justify your answer.
Blogger Insight:
Values may be defined as those standards of which a group or society judges the desirability and importance of persons, ideas, actions and goals. Values are shared convictions or beliefs in what are considered contributory to the welfare of the group. From these definitions, we can clearly see how values are affected by society and, in turn, how society can be affected by the values held by its members.
Two of these traits are positive traits and show the strengths of the Filipino character: Katapatan and Pakikipagkapwa-tao. The other two seem to hinder the advancement of the Filipinos. These are the "Bahala na" attitude and the "Kanya-kanya" syndrome.
Pakikipagkapwa-tao and Family Orientation: This indigenous Filipino trait is the regard for the dignity of others and being with them. It consists of all levels of interaction with one's fellowman in times of crisis, like illness and death. This is embodied in the concept of neighbourliness like mutual visiting and exchange of food. Pleasant attitudes are also exhibited towards relatives and friends such as extending moral and emotional support. This is also evidenced in the insertion of many light scenes wherein there is light-hearted bantering, jokes among friends and kin.
Because of the Filipino's collective nature, they have a deep sense of concern for one's dignity and respect. This pakikipagkapwa-tao is manifested in their sensitivity to other people's feelings. This is often evidenced in the relations among the characters. Polite language, soft pleasing voices and meek manners are employed to avoid open disagreement with others. Personal relationships are likewise almost always important in any transaction among the characters.
Katapatan: The Filipino virtue of righteousness in thought and deed. In a person, this virtue strengthens him against cheating and lying. It results in the cooperation and trust among neighbors, friends and co-workers. This positive character trait is dominantly displayed in Philippine movies and television by its leading characters. Viewers are attracted to the character and story because righteousness is considered a rare trait nowadays and the expression of this in the leading protagonist gives them hope in siding with the good.
Bahala na: Extreme reliance on higher force or fate. Bahala na is a common expression among Filipinos which rests on the fatalistic outlook and strong dependence on spirits. It literally, the Bahala na means "Leave it to God." The abundance of superstition can further encourage the superstitiousness of the Filipinos. This can promote the lack of initiative among Filipinos. Rather than relying on one's own effort and industry to solve problems, one leaves his fate to gods or "spirits". This trait also encourages the Filipino to be matiisin or being too patient for long suffering.
Kanya-kanya: A negative Filipino trait is a selfish and self-serving attitude. This is often elicited when one's peer has gained honor or prestige. Most if not all of the conflicts in the Filipino stories are a result of envy and jealousy. This "crab mentality" that characterizes many Filipinos is counter-productive.
Certain negative behaviors may be picked up by the youth if they are consistently exhibited and are not shown in the end to have negative consequences. At the same time, an understanding of the strengths of the Filipino character would help in recognizing the traditional and positive Filipino values that should be perpetuated.
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